![]() ![]() As a result, ‘anything that doesn’t fit this mode has been shoved into an area of lesser solemnity’, a literary ghetto inhabited by the thrillers, fantasy novels, and other sub-literary works condemned for ‘the misdemeanour of being enjoyable in what is considered a meretricious way’. Margaret Atwood, whose own work has for many years crossed and re-crossed genre boundaries, has recently argued that from the mid-twentieth century the socially realistic novel has been seen as a critical standard. Literary production and reception was the cultural, institutional, and critical division of fiction into the two admittedly broad, but nonetheless clearly distinguishable, categories of genre and literary fiction. SOCIAL REALISM AND KITCHEN SINK DRAMAįor much of the twentieth century, one of the most salient features of So, things which middle class reviewers and commentators find uncomfortable, alien and other. This word is also often used to describe work involving violence and the taboo. Naturalism often focuses on less educated or lower-class characters. ![]() In works labelled ‘realism’, the main focus is on the middle class and its problems. Sometimes the difference between naturalism and realism depends on the subject matter, or rather, the perceived class of the person who wrote it. Writers also keep God right out of the picture. The subject is neither idealised nor flattered. Basically, any hint of romanticism is completely stripped away. But if you want to talk about realism as a group of terms, naturalism is at the MOST realistic of these different types of realisms. This term is often used interchangeably with realism. “What we’ve dubbed realism is nothing more than the inclusion of consequences that are generally specifically ignored for the sake of a plot… Now if a director says they’re striving for realism it means they’re taking an unrealistic premise “and examining consequences when the premise is viewed through the lens of reality.” NATURALISM ![]()
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